Showing posts with label apple. Show all posts
Showing posts with label apple. Show all posts

Friday, 29 April 2016

A Spotlight on the Dictionary


My 7-year-old Macbook Pro keyboard has seen better days (some keys are also about to fall off in addition to those that already have)
I don't want to turn this blog into an Apple complaints board, but a few things have been bothering me as I've been looking for new devices on which to type and write and such.

I like writing. I don't even mind typing. Sure, I prefer the black ink of my Lamy or the clickety-clack of my Apple Extended Keyboard, but I will usually make do with anything. After all, writing is not just the tools you use, it is a state of mind.

I could "write" on my iPhone, if I wished. And indeed I have been known to make notes on there from time to time. But as an object, it doesn't inspire anything "writerly" within. It doesn't look like it's comfortable doing the "writing" thing. It looks like it wants to put away its tiny (and progressively more useless) touch keyboard and go back to being a time-wasting brain hole of food pictures, selfies and #blessed.

With my 7-year-old Macbook Pro on the fritz, the 9.7" iPad Pro looked tempting...until I discovered its awful flaw.

As a Mac user, I utilise a feature called Spotlight with almost reckless abandon. ⌘+Spacebar brings up a search bar allowing me to search for anything across the entire computer. I will search for application names and open them much more quickly than navigating to the application menu with the mouse ("You mean you have to use your hands??" "That's like a baby's toy!").

Spotlight will search file names, file contents, email contents, the internet and even the dictionary. It is this last function I find most useful when writing. Once a word is in the Spotlight search, a simple ⌘+D will open that word in dictionary where I can venture into the world of language. This is not just about definitions. The in-built thesaurus is a writer's delight, allowing quick and easy access to a superabundant repository of auxiliary expressions.

iOS, the operating system of the iPhone and iPad, also offer Spotlight, but for some reason do not offer dictionary integration. This is a shame because unlike the desktop OS X, there is no stand-alone dictionary application on iOS, only preinstalled dictionaries that can be accessed when you wish to "define" a word.

This tiny feature is what is stopping me from buying an iPad Pro. Well, that and I don't have the cash, but right now, I'm not even aspiring to one because of this little flaw. And that's a shame humiliation ignominy pity, because it is a really nice piece of technology that is incredibly portable and potentially very useful for writers. I guess we can always wait for version 2.0...


Monday, 19 October 2015

My Kingdom for a Keyboard


Apple announced updates to its iMac lineup this week, along with an overhaul of three of the brands most venerable pieces of hardware: the Magic Mouse, Trackpad and Keyboard.

These three peripherals have always represented Apple's myopic pursuit of design at the expense of usability. None of them (with the possible exception of the Magic Trackpad) is better than what other manufacturers have on offer.

The Magic Mouse, for example, eschewed buttons as we know them and instead employed a touch-sensitive surface designed to replace them old-fashioned button things. Great in theory, but in practice it sucked. Using Google Maps or a similar page in a web browser usually resulted in unwanted rapid zoom-ins and zoom-outs as the mouse detected a scroll command that never was.

The Magic Trackpad goes okay in most regards, however it is very sensitive and, like the mouse, can often trigger gestures you did not intend. And, as a Photoshop user, a trackpad is no substitute for a mouse or tablet. That said, Apple's implementation of the trackpad is the best in the market and a pleasure to use most of the time.

But the worst (or best?) example of Apple's nearsighted pursuit of design for the sake of design is the Apple Keyboard — the worst-designed Apple peripheral since the infamous Apple USB Mouse (M4848), known derisively as the "Hockey Puck".

In an age of touch-enabled devices, the humble keyboard remains the most practical and important human interface device for computers. The vast majority of all computerised communication is carried via letters and numbers entered by fingers on keys, therefore the comfort and productivity of the typist should be of the utmost concern. Unfortunately, Apple — like almost all computer hardware manufacturers — have set themselves on a road to mediocrity with the design and usability of their keyboards.

Keyboards used to have bite. They used to announce their presence via the unmistakable clickety clack of mechanical switches. But this was not noise for the sake of noise, mechanical switches provide the best possible typing experience, with a good amount of travel (the distance a key must be pushed down before the keystroke is recognised) and a positive tactile response, that is to say the user knows when a key is hit and can move on to the next keystroke. These two properties, among many, make mechanical keyboards easier to touch-type on, which is why they are preferred by typists the world over.

Unfortunately, the mainstream computer world has largely abandoned mechanical keyboards in favour of rubber domes and other less tactile mechanisms. Apple's last mechanical keyboard, the Extended II (on which this post is being clickety-clacked) was discontinued in 1995 and now mechanical keyboards are largely the domain of gamers, usually tricked out with custom LEDs and a thousand-and-one programmable custom function buttons. "Features" which your average keyboard user doesn't need.

Yes, "design"
Apple's new "Magic" Keyboard utilises all-new scissor switches for its keys, similar to the previous Apple Keyboards and MacBook mechanisms, but with even less travel. At first type, this makes it quite difficult to touch-type on. It is important to note that this new keyboard does not use the butterfly mechanism of the new MacBook – a mechanism that provides so little travel and tactile response that one reviewer wanted "to cry a little", but it is not much better. While the size and design constraints of the ultra-thin MacBook make its keyboard a necessary evil, there is no such excuse with a desktop keyboard, other than the elevation of form over function. Sadly, using the new Magic Keyboard is not that different from the miserable experience of typing on a touch screen.

Happily, the Magic Keyboard does address a number of design issues from previous models. First, the keyboard is now a solid wedge shape, not a thin aluminium sloped casing with little support underneath (although Microsoft could be forgiven for being a little pissed at this). I have a collection of bent and battered aluminium Apple Keyboards, victims of close-run essays and reports.

The keyboard (along with the new trackpad and mouse) also contains an in-built rechargeable battery that can be charged via a Lightning cable (included). This is pretty neat, although it's another USB port that needs to be used on a computer where ports are already at a premium. At this point, I'd like to see an iMac with an integrated Lightning cable, but that in itself would offer its own design problems.

Apple's quick to claim the environmental high ground on its new peripherals with the use of batteries, rightly claiming it reduces use of alkaline batteries that would otherwise end up in landfill. But it also limits the life of the product with the integrated battery not replaceable by the user. Also, anyone who has owned and used the previous iterations of these products would be unlikely to persist with the Sisyphean task of using alkaline batteries – non-rechargable lithiums and rechargeable Ni-MH batteries were a mandatory part of every sale in my time in computer retail.

Still, with all these design goodies, the typing experience has been solely neglected, leaving touch typists to fend for themselves in a world of illuminated gaming keyboards that look more like offensive weapons and are named accordingly (Razer BlackWidow Ultimate, anyone?). This is why I persist with my Apple Extended Keyboards – arguably the best keyboards ever made – acquiring them in all conditions at all times, along with the USB adaptors required to operate them on modern machines.

Apple Extended Keyboard (front) and two Apple Extended Keyboard II
So what are the modern options? Sadly, unless you like your keyboards black and illuminated, there aren't too many options. For Mac users, the best alternative is one of the Matias Tactile series – they bill the Tactile Pro as the spiritual successor to the Apple Extended Keyboards. But good typing doesn't come cheap, a Tactile Pro will set you back over AUD$200 locally, so start saving your cents. You can still sometimes pick up a bargain on eBay by searching for vintage Mac equipment, although listings for Apple Extended Keyboards are both rare and usually expensive. It pays to search simply for vintage Macs that include a keyboard – often that "keyboard" is an Apple Extended Keyboard. Of course you will need an adaptor to get it up and running, but it's well worth it.

What I would really love to see is an Apple mechanical keyboard on the market again. A keyboard with all the nice design of current Mac hardware, but with the added benefit of being usable. A wireless mechanical keyboard with a similar footprint to the new "Magic" keyboard is not impossible. Perhaps call it the Apple Keyboard "Pro" or something. The problem is that as computer users, we have become habituated to mediocrity. We don't think of the keyboard interface as something that should be satisfying or even pleasurable, merely something that is just adequate. Most of us don't know there is something better out there – a keyboard that makes even the most arduous data-entry tasks strangely satisfying. A better keyboard makes us better typists and therefore better communicators. Would it be too much to suggest that a better keyboard makes us better people? Maybe. But you'll never know unless you try.

Tuesday, 8 September 2015

Free Trade? You've VOD to be Kidding


© Magnolia Pictures
Alex Gibney, the noted documentary maker whose impressive oeuvre includes Going Clear: Scientology and the Prison of Belief, We Steal Secrets: The Story of Wikileaks and Enron: The Smartest Guys in the Room, has a new movie out today.

Steve Jobs: The Man in the Machine takes what senior Apple executive Eddy Cue called an "inaccurate and mean-spirited" approach to its subject, eschewing the usual hagiographic tendencies of recent book and film profiles of Jobs. In short, it takes a "genius and jerk" view of Steve Jobs that has been only hinted at so far, providing some much-needed critical balance to the available accounts of his life

Impressively, Gibney and the film's producer, Magnolia Pictures, have opted for a same-day cinema and Video On Demand release, meaning viewers have the choice to watch at the cinema, or rent and download in the comfort of your own home. That is, unless, you're outside of the United States. If you're unlucky enough to exist outside the reality distortion field that is the USA, you will likely be presented with this should you wish to purchase the film:

iTunes
YouTube

Amazon.com
Magnolia Pictures VOD


In a regression to the physical world, corporate entities still insist on imposing geographic blocks on content that is downloaded as a bit-for-bit identical copy no matter its physical location. While our politicians hurriedly conclude free trade agreements that claim to have benefits for our farmers and physical exporters, they seem to neglect the trade in data; of discriminatory pricing and access limitations imposed on Australian consumers for digital goods for no good (or defensible) reason. The digital economy, which our pollies love to say "is Australia's future", seems strangely neglected by them when it comes to putting their rhetoric into action.

Attorney-General Bookshelves Brandis and "Practical Inventor of the Internet" Malcolm Turnbull have done little to encourage greater access to the world of digital goods, preferring to impose draconian data retention laws and siding with the movie studios – instead of consumers – on issues of "illegal" downloading. As has been repeated ad nauseum by anyone with a tablet and internet account, making content available in a timely and affordable manner does more to prevent piracy than any demonstrably ineffective "three-strikes" policy ever could. As the long-overdue arrival of Netflix et al. to local shores has shown, Australians are willing to pay for a quality service when one is offered.

My international relations lecturer was always fond of saying "there's no such thing as free trade – only slightly freer trade". This is as true now as then. Free trade deals, as negotiated by our governments, only deal with a very limited number of import/export areas where (usually marginal) benefit can be extracted for both parties. While free trade agreements have been effective at removing (some) tariffs for physical goods, digital goods are largely neglected.

This film is just one example of where our digital world, as advanced as it is, lags far behind our expectations of it, with most of our politicians lagging even farther behind still (honourable mentions to Ed Husic and the other members of the IT Pricing Inquiry) I was a willing customer, ready to pay to watch this film. Unlike some, I believe the creators of our content deserve fair and equitable recompense for the labours...but they're making it harder – not easier – to make this possible.

Friday, 31 October 2014

Plus-sized models: A few weeks with the iPhone 6 Plus (zomg unboxing video review)

Not every iPhone is used in a geometrically perfect, sterile white environment
The internet is full of conceited people who write conceited reviews of products and/or services in order to attract people to click on their content. For some, they believe a stinging critique of a particular popular product, like some form of digital tall-poppy syndrome, will render their own abilities (and web address hits) large.

I want to do no such thing. Instead of regurgitation of statistics and superfluous "feels nice in the hand" generalities, I am here to engage in a blitzkrieg of pith and (conceited) wit not for hits, but for my own gratification. Here goes.

The iPhone 6 Plus is rather large.

After owning it for a month, it no longer feels large and everything else feels small.

Its screen is 1920x1080 (or something), but due a deliberate quirk, renders everything at 2208×1242 before scaling down on the fly. Clever, but inelegant. Thus it feels a bit like a stop-gap in search of a higher-resolution screen (iPhone 6 IIs Plus S anyone?)

iOS 8 should more accurately be called iOSHATE for the feelings it engenders in the user community. I don't need to hang out in no support forums to know it's shit. (zomg appl its a knowen fawlt)

Safari crashes more than Mr Magoo on ice. And fuck me sideways, get rid of the fucking transition animations. Whether it's the PowerPoint-esque ICONS FLYING EVERYWHERE WOW, or the SOFT DISSOLVE (which is what happens when you turn off transitions), the phone feels more lethargic than Clive Palmer after walking up a flight of stairs.

iOSHATE is a generally buggy experience that transcends the specific nature of bugs and faults Apple and software engineers need for diagnosis reason. It's just shit.

Sadly, it's the first new iPhone I've owned that doesn't feel snappy. In the past, installing, say iOS 6 on an iPhone 4 meant dealing with frustrating slowness until a new phone came out. Then, whatever the new phone was, felt snappy and responsive. Now, the iPhone 6 Plus and iOSHATE feel slow from the outset.

For all these flaws, it's a great looking phone and the screen is very nice, notwithstanding the scaling workaround implemented by Apple. But enough of pleasant generalisations. Who wants those? Not me.

Thursday, 14 March 2013

Thunderbolt and Lightning (not particularly frightening)

A somewhat worn Apple 30-pin dock connector (left) with the new Apple Lightning Cable © 2013


When Apple launched the iPhone 5 in October 2012, they introduced a new interface cable along with it. The Lightning connector replaced the 30-pin dock connector previously seen on all iOS devices since the 3rd generation iPod in 2003 making almost a decade’s worth of iPod and iPhone docking stations and hi-fi accessories instantly obsolete. “Bloody Apple” has been the most common response to it from customers at my place of work, complaining that it is Apple “trying to get you to buy everything again”, but is it really that simple? Things rarely are. I’ll tell you why one of the most valuable companies in the world isn’t trying to expand its bottom line one $30 adaptor at a time.