Showing posts with label turgid text tuesday. Show all posts
Showing posts with label turgid text tuesday. Show all posts

Wednesday, 9 April 2014

Turgid Text Tuesday 2

Turgid Text Tuesday (which may or may not appear on a Tuesday) is a semi-regular post which looks at some great examples of terrible language.

They are mainly found in corporate and governmental reports and documents.


"Walsh Bay Arts Precinct Master Plan"
Public Works, Government Architect's Office (PDF Download)

Ah, the yarts. How civilised. How cultural. How jargon. 

This document is really the example of how to write a master plan in today's activated and celebrated world. Each paragraph feels like a restatement of the previous one in increasingly florid and impenetrable language:

  • "optimal distribution of arts and cultural facilities"
  • "world class...precinct"
  • "diversity of...venues"
  • "maximise shared facilities"
  • "Establish a variety of cultural experiences"
  • "Facilitate synergies between a variety of cultural organisations" (my personal preferred tenderer)

Translation: the bottom line here is that they want to build one kick-arse arts precinct that contains all the arts.

Let's leave to one side the argument that arts precincts are pretty dismal pieces of policy and may become ghettos and let's look at the document-proper.

It's the mark of modern corporate-speak that the actual thing you are talking about be as far removed from the words you are saying or typing, lest the common people actually think you know or care about that which you are talking or typing about.

One might call it obfuscatory impartiality (moving forward). Use the same language regardless of whether one is talking about a declaration of war, electricity prices, council waste collections or arts precinct master plans.

In this horrid document, the various sections are headed with amorphisms such as scope, vision, achieving the vision. opportunities and masterplan principles.

Naturally, achieving the vision will require:
"A vibrant mix of commercial and artistic uses to rejuvenate the precinct and balance artistic with commercial imperatives...adaptation and celebration of the architectural heritage of the wharves...engagement...high-quality public domain and a business model that delivers precinct activation and efficiencies of co-location."
Of course, this is exactly what was going through the minds of the Dutch when they founded the Rijksmuseum.

Tuesday, 1 April 2014

Turgid Text Tuesday 1

Here begins a semi-regular display of print screens of PDFs found on corporate and governmental websites.

They may include use of horrid jargon, asinine buzzwords or superfluous graphical flourishes. 

They are all awful.


"Point Nepean Forts Conservation Management Plan"
Parks Victoria, 2006 (PDF download)

It is understandable why historic national structures such as the fortifications of Point Nepean require conservation. What is not so clear is what the fuck that flowchart is doing there. What is it? Where did it come from? What does it do?


Why are there arrows? Do the management plans consult with one another? Obviously not as the Point Nepean Forts Conservation Management Plan doesn't have an arrow between it and the other three plans, just the one bidirectional graphical pointing device towards (and from) the overarching management plan.

This seems inefficient. If I were the South Channel Fort Conservation Management Plan, for instance, I could not share my outcome by engaging with key stakeholders of the Point Nepean Forts Conversation Management Plan. I would have to go through the Point Nepean National Park and Point Nepean Quarantine Station Draft Management Plan in order to talk to the Point Nepean Forts Conservation Management Plan.

And how would I know, as the South Channel Fort Conservations Management Plan, if my message had been passed on in full, verbatim as it were? The bottom line is that I wouldn't. I would have to trust my hierarchical and graphical superior that the my message was passed on promptly and efficiently.

The next question is obvious: what do the bidirectional graphical pointing devices mean? Why are their lengths different from one another? Was the Point Nepean Forts Conservation Management Plan not important enough to be completed by someone with competence in bidirectional graphical pointing devices palette in Word '97?

Of course all this is moot. I am reliably informed that none of the draft or final plans mentioned in the post have the capability of speech or even of sentence sentience. Never mind.

Best regards.